Continuously walk on the road of Reason; never arouse yourself with the imperceptible. But the road never appears on the front of life—it is only staged and mystified on its back. In Parmenides we see a much different concretion than that of Heraclitus and… And what? It bothers the mind; it excites the spirit. Poetry and philosophy arrive at a coherence, here. This “coherence” permeates the trace and line draped around Philosophy, so far, in abstraction. Present what is, artistically through incursion in thought and excursion of poems. Proem and poem. Parmenides knows that whatever comes in his direction, will be dealt in a proper manner. When our philosopher speaks, the Divine is to be heard. Such is the point of his disdain: there is no other way of comprehending and dissenting than through intervention. How can there be a becoming if what is already is? Procedural sublimation of conflicting pluralities is illusory, for our philosopher. Sense perception is to be understood as incapable of reaching truth, if it concerns itself solely with contradictions.
As it was with Heraclitus, with his disgust towards common opinions, so it was with Parmenides. He presented his own words as the enunciation of Truth, stemming from a Goddess. Truth was divine and had to be declared in a poetic form. Such is the reason, from the beginning of his poem until the moment the Goddess reveals the Truth itself, for the existence of a sacred movement—followed with sacred images and fantastical allegories—in the staging of Parmenides’ thought. Positioned as a philosopher-poet, Parmenides delivered his thought in such manner. His poem dealt with a major problem of Philosophy: that of being. In this case, although making himself to be a carrier of divine words, Parmenides expelled instead philosophical words. Such interrelation to the religious is, without a doubt, a result of the influence he absorbed from Pythagoras’s religious sects. As a citizen of Elea, he was made to be concerned with the public interests of the Polis, subjected to the discursive reason that reigned within the confines of the city.